Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.

From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.

Magistrate Jeanne Charmant-Killman doggedly investigates CEO Michel Humeau, who is accused of participating in massive corporate malfeasance. As her investigation leads her into the upper echelons of government, Jeanne becomes intoxicated by the power she is amassing.

When the rogueish but loveable Raif is asked to be his brother Tim's best man at his wedding, he decides the best present for the happy newlyweds would be to catch the entire thing on video. He returns home from abroad to find his brother is no longer the bohemian vagabond that he used to be, and is in fact marrying into a very wealthy family, and the wedding they're about to be part of will be the most outlandish and bizarre that Cheshire has ever seen... Thank the lord Raif has caught it all on tape!

Stavros and Charlotte - i.e. the director and his partner in life and art, Charlotte van Gelder - are wandering the streets of a burdensome reality like immigrants, tracing the world around them through friendships, journeys and political quests. Made with minimal means with a few rolls of black and white film they managed to scrape together, this is a thoroughly unconventional film that defies traditional narrative structures, spectacularly revealing the director's true vision: a primordial cinema full of imagery that comes out of nowhere and communicates freely, like a small wonder. A large slice of the international film critic community - including Frenchman Louis Skorecki who described the film as a comet - will adore "Coatti" and continue to support Tornes' lonely path until the end.

A fading southern belle moves in with her sister in New Orleans where her ferocious brother-in-law takes stabs at her sanity.

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

During the late 1980s, two detectives in a South Korean province attempt to solve the nation's first series of rape-and-murder cases.

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.