The first portion, "Rust," follows a group of factory workers in three state-run factories: a smelting plant, an electric cable factory and a sheet metal factory. Workers of all three are hindered by sub-standard equipment, hazardous waste, and a lack of safety precautions. Perhaps even worse, the declining need for heavy industry results in a constant shortage of raw materials, leaving the workers idle and concerned for their future. In Chinese, this section is called 工廠 (gōngchǎng), meaning "factory"

In Gansu Province, northwest China, lie the remains of countless prisoners abandoned in the Gobi Desert sixty years ago. Designated as ultra-rightists in the Communist Party’s Anti-Rightist campaign of 1957, they starved to death in the reeducation camps. The film invites us to meet the survivors of the camps to find out firsthand who these persons were, the hardships they were forced to endure and what became their destiny.

The documentary director KG Forsberg makes a film about his dying father.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.

Payton becomes the caretaker of Gregory Devereaux, a wealthy man facing his final months. As they become close, Gregory's past sins force Payton to decide between his dreams and a pregnancy that could squander them all.

Two shipwrecked boys become the focal point of a religious power struggle.

While working for a Hollywood movie studio, Indy finds that he is no match for the wily megalomaniacal director Erich von Stroheim when the two lock horns over the ever increasing budget of Stroheim's film Foolish Wives. Though battered by the film industry, Indy decides to give it one more chance and goes on a location shoot with legendary director John Ford. Ford and his cronies, including aging gunman Wyatt Earp, help him see the magic of movies and moviemaking, and when an actor is accidentally killed, Indy pitches in to save the film.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

Typically you know what you are getting into when you go see a movie billed as "romantic comedy." And often they lack romance or comedy and sometimes both. Not to mention that the simplicity of the characters often make the movie very predictable. That said, romantic comedies often don't work overall and viewers are left with a few good moments here or there. All that is said to explain what you won't find in "Fool For Love." That is because the two main characters, in particular Dustin Nguyen's character "Dung" have a complexity to them that creates a real life foundation from which the romance and comedy can be built.

Documentary about Hong Kong cinema's influence on the films of Quentin Tarantino.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

The Real Ellen Story is an in-depth documentary detailing the story behind the historic “coming-out” episode of Ellen. The program takes a unique behind-the-scenes approach in encapsulating the time-line detailing the conception of the episode, the rumours, the controversy and Ellen DeGeneres’ own declaration in Time magazine.

A dead horse infects two men with a disease that turns them in to overacting, poorly made up zombies. As they carry on defecating and vomiting on each other they contaminate a field of yeast, giving two Nazi-wannabes the idea of buying the infected field, selling the yeast in home wine-brewing kits and destroying the rest of humanity by spreading the infection.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

After arranging a meeting with a stranger from an online dating site, Valora falls victim to an abusive psychopath. But rather than trying to flee she decides to play his game and ultimately turn the tables on him, with the hunter becoming the hunted.