A dark and stormy night. Pluto is spirited away to the spooky lair of an evil genius for a mad transplant scheme to put his head on the body of a chicken. Mickey gives chase, but find himself threatened severely by the doctor's castle and its denizens.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

A workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he's spent his life savings on.

In 19th century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.

The cartoon finds a row of signs saying it's rabbit season ("If you're looking for fun, you don't need a reason. All you need is a gun, it's Rabbit Season!"). Bugs Bunny and Daffy Duck again are arguing over which of them is “in season” (it is really Duck Season, as Daffy says in the beginning), while a befuddled Elmer Fudd tries to figure out which animal is telling the truth. Between using sneaky plays-on-words, and dressing in women's clothing (including a Lana Turner-style sweater), Bugs manages to escape unscathed, while Daffy repeatedly has his beak blown off, upside-down, and sideways by Elmer.

A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.

Restored footage of a famous debate between Yukio Mishima and students at Tokyo University in 1969, just one year before the author's death.

Betty Boop appears on stage with Freddie in an old-fashioned mortgage melodrama.

The shopping cart. Four wheels, one basket, and tonight, for the closing crew of a small-town grocery store, a blood-splattered aluminum nightmare.

A barbershop quartet sings for their lives in this 3D piece. From George Romero and Drew Barrymore favorite Jesse Blanchard comes a well-crafted piece that blends comedy, horror, and puppetry all filmed with a handmade 3D rig.

The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, even his physical form, shifts and changes at the whim of the animator.

Betty's campaign tries to appeal to everyone. Real candidates are parodied, but campaign promises are a bit bizarre.

A short, diaristic film; A series of impressions, animations and playful vignettes in color and B&W. Early/ Outtake footage of Menken's Lights can be seen here, as well as camera techniques she'd expand upon in later films.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Ian is a teenager who lives with his father on the outskirts by running small scams using Ian's ability to generate visual illusions upon unsuspecting victims. When one of his cons goes awry, his abilities publicly spiral out of control and Ian becomes the target of two rival organizations, each seeking to exploit his powers.

Diabolik narrowly escapes Inspector Ginko's latest trap, leaving his partner in crime Eva Kant behind. Furious, Eva offers Ginko her help in capturing him, but the former has to face first the return of an old flame of his, noblewoman Altea.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.