In 1982 the guilt-ridden 18-year-old Rupert tries to remember and understand the events of the past amidst the chaos of the present.

A story of a priest, who considers himself as a rebel is suddenly asked to run for bishop of Turku.

Eccentric small town librarian Helinä struggles between everyday life and her love for the theatre, directing amateurs for a play by the famous Finnish writer Aleksis Kivi. She still carries the torch for her teenage sweetheart Leo, now a married chimney sweeper but still an aspiring playwright, despite his wife's opinions. Helinä thinks Leo is Aleksis Kivi, and so does Leo himself. Discouraged by the society, they end up in a mental institution but finally manage to stage an outdoor premiere of the play.

Fung and Pan, two policewomen, are assigned to protect a gangster's mistress turned police informant. Her lover orders her assassination, but the attempt fails. In a desperate bid to prevent her going to court, he threatens to kill Pan's stepfather. Pan has no choice but to leave the police force in order to protect her family and seek her revenge.

Julia is a young lawyer who has been in conflict with her father for a long time. Her mother seems a bit insane, and Julia thinks that he is partially responsible for this. She has also split with the father of her son and tries to escape all these concerns by working hard. On a new case, she is brought back to the house near the lake where she was raised to help a group of environmentalists to protect its natural beauty against the industrial project of a power company. But by doing so she has to fight the greed of the locals, and their trust in an evil spirit that is believed to be attached to the lake.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?