A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

A family man returns to his hometown to settle affairs, but discovers he is the last person in town who is not part of a legendary pyramid scheme. And all the others want him in.

Jürgen likes Lisie. And Lisie also has a crush on Jürgen. Anton, Lisie's little boy, frankly doesn't like Jürgen. But Lisie just puts the boy in Jürgen's Passat. When he begins to tell a moralizing anecdote, the world outside the car changes unexpectedly...

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

Huo Yuanjia, hunted by the Qing soldiers, must master a new set of fist techniques to defeat them.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

Based on Edward Lee’s seminal and wildly controversial 2003 novel, “EDWARD LEE’S THE BIGHEAD” directed by Michael Ling is set in the West Virginian backwoods where vicious monsters, both human and supernatural, go on a terrifying rampage in search of a special young woman. Their path of destruction uncovers long held secrets and puts the fate of the entire world in jeopardy.

Two different worlds collide: the wealthy influential people on the one hand and the poor and honest on the other hand. Sin, a wealthy boy had been spoiled by his parents and has never realized the importance of self-dependence and how to become a responsible man. The boy lives his life relying on his parent's wealth and power, making him even more arrogant and pompous. Lud, a mute middle-aged man came from a rural area to be a motorcycle mechanic in Vientiane. His wife worked as a market woman and they had a six-year-old daughter. Though Luds life was simple, his family was warm and loving. One day Lud unexpectedly faces the greatest loss of his life caused by Sin.