Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

Hapless orchestra player becomes an unwitting pawn of rival factions within the French secret service after he is chosen as a decoy by being identified as a super secret agent.

An absurd black comedy that cunningly reverses the conventions of the crime thriller to comment on the alienating and dehumanizing effects of contemporary urban life. Alphonse Tram is unwittingly involved in several murders despite having no memory of committing the crimes. His confusion lead him to confess to his neighbour, Inspector Morvandieu. Alphonse and Morvandieu become the axis around which murders occur.

Nathalie and Jean-Pierre have been together for five years, to celebrate their anniversary, Jean-Pierre prepare a surprise present for his girlfriend: a cute four month english bullgod. Nathalie loves her present and calls the puppy "Tresor"; her relationship with the dog is close and strong since the begining but causes problems in the couple.

Humble, unassuming Ma and timid Cao have been cast off by their families and forced into an arranged marriage. They have to combine their strength and build a home to survive. In the face of much adversity, an unexpected bond begins to blossom, as both Ma and Cao, uniting with Earth's cycles, create a haven for themselves in which they can thrive.

A group of con artists stake their claim on a bogus uranium mine.

At the altar where he is marrying Séverine, the groom, Antoine, gets his first glimpse of her mother, Léa, and suffers what the French call a coup de foudre which we know as love at first sight.

Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.

A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.