This poignant documentary from directors Judith Leonard, Catherine Ryan and Gary Weimberg explores the rich complexity of mother-daughter relationships as told by women themselves in scores of candid interviews. Honoring the sometimes close, sometimes fractious, but always vital link moms share with their girls, this film celebrates how these relationships evolve in stages from birth through adulthood to the end of life.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Inspired by the filmmaker's own story, an aspiring screenwriter and musician's life quickly unravels when he is diagnosed with a crippling form of OCD. While struggling through his darkest hour, he must help himself and those around him tackle a litany of universal issues: grief, coming-of-age, addiction, redemption and the power of social connection.

In a bid to escape their domineering wives, two womanizing slackers get saddled with a corpse amongst other challenges in a foreign country.

Anger, guilt, resentment, rage, innocence, closure, peace are all explored in 10 people's last words from the gurney on death row. Based on true events.

Miriam Torres stopped seeing and hearing at the age of 7. She learned to speak whilst being deaf-blind and now at 55 years old, she teaches other people with the same disability on how to communicate with others. Based on the diaries of Miriam, the film takes you through the inner journey of a woman seeking to recall the forgotten sights and sounds of her childhood, her mother's face, her own face, and the last image she saw and heard in her life.

In the quiet calm of the Welsh foothills, Danny Jones reaches the age of seventeen with a strong desire to break away from the strict influence of his father.

"I only say the sun goodbye." Dionisos captures the existential unease where insomnia echoes and shadows of past regrets linger. As days blend into unconsciousness, the night unveils a haunting struggle between personal demons and the unending flow of existence.

On the brink of the 2007 U.S. troop surge, two Army Recruiters face the daunting pressures of recruitment while their own deployment is on the line. Sgt. Harris (Lew Temple) has been stationed in the recruiting office long enough for it to feel like home. On the other side of the world, a roadside bomb rips through a Humvee, and after recovering from the attack, Sgt. Mason (Clayne Crawford) gets reassigned and winds up in Harris's office. Mason wants to go back to the front lines, but he finds out that the war isn't confined to the battlefield.

The extraordinary story of the Irish War of Independence (1919-22): from the failed insurrection of 1916, the detailed account of how pro-independence Ireland rebuilt a movement whose efforts would eventually lead to the creation of a new nation. (Documentary film based on the miniseries of the same title.)

The church orphanage, to which the pretty novice Megan's heart is attached, is threatened with closure. Property owner Sean Hastings refuses to extend the lease because he is at odds with God and the world after a severe stroke of fate. When Megan saves his son from drowning, Hastings relents and agrees to a "trade" that requires Megan to make a great sacrifice and tests her human skills. Megan is faced with a difficult decision.

Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.

Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.