Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.

When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences. A remake of Ozu's own silent film The Story of Floating Weeds (1934).

Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.

Igor, aged 15, and his father Roger deal in housing and peddling illicit labor in the outlying districts of Liege, Belgium. Scams, lies and swindling rule their lives. When one of his father’s illegal workers gets injured on the job and asks Igor to promise to take care of his wife and baby, Igor finds himself at a crossroad. He wants to keep the promise, but the price would be to betray his father.

Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?

A father says goodbye to his young daughter. In time the daughter grows old, but within her there is always a deep longing for her father.

When twenty-four-year-old Jae is released from prison for killing her mother, she returns to her childhood home in small-town Ridgecrest. The desire to go anywhere but there prompts her to agree to join her brother on a road trip out to Death Valley - which results in getting them hopelessly lost in the most stunning, but unforgiving topographical terrain on the planet.

A short anthropological documentary from 1954. Director De Seta was fortunate enough to document swordfish fishing; by 1956 it no longer existed.

The film is based on the well-known, translated into many languages novel of writer Pawel Huelle. It is imbued with nostalgia and the atmosphere of mystery story of a group of children, fascinated by the figure of a man named David Weiser.

Three strong-willed women strive to forge their own paths amidst the wide-open plains of the American Northwest: a lawyer forced to subdue a troubled client; a wife and mother whose plans to construct her dream home reveal fissures in her marriage; and a lonely ranch hand who forms an ambiguous bond with a young law student.

A strange family: 17-year-old Phil lives with his mother and twin sister in an old mansion on the outskirts of town. When he returns from summer camp, the mood in the mansion has soured somehow. Phil doesn’t worry about it, hanging out with his best friend Kat instead. When he starts to feel attracted to a mysterious new student at school, Phil is plunged into emotional turmoil only exacerbated by the trouble at home.

In 1920s China, nineteen-year-old Songlian becomes a concubine of a powerful lord and is forced to compete with his three wives for the privileges gained.