Louis just found the corpse of a man in front of his apartment building. Taken in for custody by Captain Buron, he finds himself on the wrong end of a surreal interrogation. But how can you prove you are innocent when the cops are crazy?

Paul Château-Têtard, a 45-year-old bachelor from the best of Parisian nobility, has – for the first time in his life – to take the Metro, and even buy a ticket. It is with extraordinary luck that the beautiful young Ava happens to be sitting at the counter: a spark ignites and wedding bells begin ringing in the distance.

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.

A symbolic reflection on issues of female sexuality, art and identity constructs.

When a childless couple--an ex-con and an ex-cop--decide to help themselves to one of another family's quintuplets, their lives become more complicated than they anticipated.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.