A woman suffers a nervous breakdown and an oppressive mother before being freed by the love of a man she meets on a cruise.

A poet in love with Death follows his unhappy wife into the underworld.

When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.

A drama-documentary presented by Alan Yentob, with Benedict Cumberbatch in the lead role. Every word spoken by the actors in this film is sourced from the letters that Van Gogh sent to his younger brother Theo, and of those around him. What emerges is a complex portrait of a sophisticated, civilised and yet tormented man.

Outside time and reality, the experiences of a poet. The judgement of the young poet by Heurtebise and the Princess, the Gypsies, the palace of Pallas Athena, the spear of the Goddess which pierces the poet's heart, the temptation of the Sphinx, the flight of Oedipus and the final Assumption.

During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.

A propaganda film during World War II about a boy who grows up to become a Nazi soldier.

Brigadier Le Gouce and Private Flicot lose their horses during a campaign in Italy. To avoid looking ridiculous, the two hussars cross the country in search of their mounts. But when they are mistaken for deserters, their regiment gives chase.

Get Rid of Yourself is a video-film-tract addressed to those who anonymously embody the return of political activism within Empire. While its initial sounds and images were filmed during the riots in Genoa, 2001, these materials are pulled apart and recomposed in order to locate the intensity of a shared experience, rather than producing one more documentary version of the programmed and hyper-mediatized confrontation of the G8 counter-summit. Elaborating a complex and rhythmic form of address via sound/image disjunctions, cheap video effects and performance, the film declares its own exile from a biopolitical space-time where nothing ever happens. The crisis it announces is the sudden return of history, but this time without characters or a story, and of a politics without subjects.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.