It's 1999 and over the course of one 12-hour shift at an Arkansas hospital, a junkie nurse, her scheming cousin and a group of black market organ-trading criminals start a heist that could lead to their collective demise.

Two stories for the price of one: Lenny works in a video shop and tries to get acquainted with the waitress Lea. Leo can't cope with the pressure of becoming a father, leading to trouble with his pregnant wife and especially her brother.

A talented but irresponsible violinist ruins his marriage with his drinking and antisocial behaviour.

Exposed uses short scene from a feature film – a man observes a dancing woman through a keyhole – as the raw material. Solely fragments of this tableau are visible to the viewer, and Fruhauf "re-exposes" the scene by passing the perforations of a strip of film in front of the projector so that they resemble a moving sieve. While the moving stencil allows us to see no more than portions of the scene, the narration's "peeping tom" motif is repeated in our own perception. Sight can no longer be taken for granted and therefore increases in fascination. Fruhauf also breaks up the intended movement of the found footage on the temporal level. The apparent irregularity of the fields of light scanning over the strip of film is juxtaposed with a metronomically precise rhythm which segments the scene. Successive shots often vary to no more than a minimal degree. Similar to a record album with a crack, the progression shifts in minute but regular ways.

Tonny is released from prison - again. This time he has his mind set on changing his broken down life, but that is easier said than done.

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.