A great French restaurant's owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.

The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.

This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.

Sergeant Cruchot and his faithful comrades have been sent to the International Congress of Gendarmerie in N.Y.

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

The bungling inspector Cruchot finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.

The frozen body of Paul Fournier is discovered in Greenland where he had disappeared during a scientific expedition in 1905. Perfectly conserved he is brought back to life in the 1960s. His descendants take care of him: to spare him the cultural shock they behave so to make believe it's 1905 and they are his cousins, uncle...

Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires in yet another tantrum his designer André Castagnier, not realizing that man is his only chance to land a vital contract with the Italian magnate Marcello Cacciaperotti. So he has to find him at his extremely rural birthplace in 'la France profonde', which proves a torturous odyssey for the spoiled rich man; when he does get there his torment is far from over: the country bumpkin refuses to resume his slavish position now the shoe is on the other foot, so Fourchaume is dragged along in the boorish family life, and at times unable to control his temper, which may cost him more credit then he painstakingly builds up...

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

Francis, who is in his forties, manages the French subsidiary of an American high-tech company. But the shareholders suddenly decide to close it. Depressed by the idea of being unemployed and the prospect of losing his second wife, Francis decides to consult a fortune-teller. The experience is a real eye-opener for him and the start of a new career: He pretends to be a fortune teller himself and turns into Madame Irma. How to explain that to his wife Clotilde?

After a botched scam, Clóvis bumps into Lohane, his estranged foster sister. In a bind, they soon realize the only way out is to band together.

Bénédicte Meursault, a female firefighter, has just been transferred to a small fire brigade in the South of France. She is welcomed by Philippe, 45, the wise captain of the brigade. Soon after being introduced to the men, the young woman jumps into action. Unfortunately, while rescuing the victims of a terrible car crash, she does not find one of the injured who was ejected thirty meters away. Now the man is in hospital in a coma and he may die because of her. Completely upset, Bénédicte decides to resign but Philippe dissuades her from doing it.

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

The second part of the Seventh Company adventures.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

As everyone knows, children make no difference between social classes, skin colors or religions. But then why does Corentin, Paul and Sofia's nine-year-old son, only have friends like him at Bagnolet's school? And when his friends all leave for a private school in Paris, his parents are frightened. From now on, Corentin is the only one in his class. But the only what?

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.