A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

Bling Bling is an assortment of Ali G's interviews; a couple of them with possibly the last people in Britain who didn't realise that someone was pulling their leg and several with American grandees of various sorts, including economist JK Galbraith and former CIA director Admiral Stansfield Turner. The real selling point, however, is Ali G's undeniably spectacular Comic Relief interview

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.

Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangsters arrive, looking for his brothers.

In an alternate timeline the original Godzilla is never defeated and repeatedly reemerges to feed on Japan's energy sources. A new inter-dimensional weapon called the Dimension Tide is created with the intent of eliminating Godzilla. However, the new weapon might also serve as a gateway to something far more sinister.

Commander Logar fools Arif and sends him 1.000.000 years back in the time. He must civilize people from past to reach today.

The owner of a dilapidated B&B has an idea: in order to dodge bankruptcy, he has to turn his business into a place of worship—a tax-free activity, where he'll host pilgrims in exchange for a generous donation. He joins forces with an unscrupulous accountant and a failed novelist to come up with his new religion.

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

Two men share an odd friendship while they care for two women who are both in deep comas.