When the boss' unlucky daughter is missing in South America, Campana is sent to watch the boss' most unlucky employee who is sent as a private detective in hopes he can duplicate the daughter's mistakes.

Belle, the Beast, Lumiere, Cogsworth and the rest of those zany castle residents use their imaginations to embark on three magical, storybook adventures. This direct-to-video anthology serves as a "sequel" to Disney's animated hit film. In "The Perfect World," Belle and the Beast learn about forgiveness. In "Fifi's Folly," Lumiere's girlfriend is jealous of his bond with Belle. And in "Broken Wing," the Beast learns to be kind to an injured bird.

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?

Pierre Gastié-Leroy is the son of a wealthy director of a factory of weapon manufacturing. Despite his parents, two generous uncles and a bishop godfather who try to inculcate him the rigid values of his social level, Pierre is a dreamer, antimilitaristic, social educator who dreams of saving three thugs, his "little guys" at the limit of delinquency. After several resounding failures that sent him to prison, Pierre is ordered by his father to join his factory to direct the social service. Tired of the venality of his father and the foolishness of the "little guys", Pierre hires them at the factory...

The era of the feared sea pirates Klaus Störtebeker and Gödeke Michels is coming to an end. After a long period with no booty at last a bulging ship appears on the horizon. However, Störtebeker is badly wounded in the attempted capture and the pirates suffer ignominious defeat. Not only their ship is down the drain - Störtebeker himself is suddenly plagued by anxiety and doubt about his very existence as a pirate. He is drawn to the beautiful country girl Bille, while Michels gets rebuffed by the friesian princess Okka. In the very moment that the crew have mutinied and co-captain Michels is literally at the end of his tether, they discover on board their ramshackle old tub a most unique wonder weapon. Glory days are quickly revived - until the mighty Hanse consolidate their power and weaponry and go to war against the pirates. Störtebeker and Michels are forced to decide: To live as a farmer or to die as a pirate.

George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Victorian mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.