A Kirghiz adventure film combining documentary and fictional elements.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

1985. Georges is a born market vendor. As a driven salesman he sells anything, anytime, to anyone. When he hears that the Pope is coming to Belgium, he smells his chance. In addition to the grounds, where tens of thousands of believers will attend an open-air mass, Café Derby is for rent. Georges is sure to earn a small fortune. But his wife and five children are not convinced. It would be another move in too short a time. But as George puts his mind to something...

A safe cracker claims he has lost his memory when two criminals come calling for their cut of the bank heist loot.

It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"

Cleo lives in Marseilles and works as a waitress in a waterfront dive. A stranger entices her into coming to Paris to take dancing lessons, but instead she is taken to a baron, who betrays her. In spite of this inauspicious start, Cleo becomes a successful and renowned actress, but her feelings about men have never recovered. She loathes them and uses them only for the money they offer her, which she then hands over to a penniless girl.

A shy student suddenly becomes the center of attention when she wins a huge birthday party that she never asked for.

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

A family with diversified members travels to İstanbul from Yozgat after their youngest son fell in love with a girl.

An innocent and unsophisticated Guyanese immigrant is exposed to the hustlin' way of life in the Brixton ghetto.

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Barbie and her sisters set off on a Swiss adventure to the majestic Alps, where they're excited to spend the summer at a fun-filled riding academy! Barbie can't wait to find a new horse to bring back to Malibu. Stacie is super excited to prove she's an amazing equestrian. All Chelsea wants to do is ride the big horses, and Skipper...well let's just say she's more interested in writing about the great outdoors than experiencing it. The sisters' vacation gets off to a rocky start, but when Barbie discovers a mysterious wild horse in the woods, their visit becomes truly magical.

The Minions fight over a delicious banana... but is that all they want?!

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times