When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

The evolution of adult cinema through the most influential films in history, a journey that begins in the 1970s and ends nowadays. An in-depth analysis of the success of the most prestigious erotic films, their impact on industry and society, and their influence on cinema and contemporary culture.

Working in a ferry as a waiter, Ayzek, having a defect with his front teeth, dreams to get his front teeth fixed and to marry his girlfriend, Songül. The news gets out that the ferry company is turning over the management to a new one and the whole crew is to be interviewed. When the interviewer arrives on board, Ayzek’s world is turned upside down.

Seo-yeon is being tutored by Woo-hyeon who is younger than her. She grew interested in her tutor, Woo-hyun, the first time she met him, and he is also fond of Seo-yeon. Seo-yeon succeeded in seducing Woo-hyeon with the help of her friend Min-joo. Even if Min-joo is aware of what Seo-yeon feels, she approaches Woo-hyeon. Seo-yeon gets mad at her best friend when she met Woo-hyeon. Min-joo, aware of the fact that it's her faultis also angered by Seo-yeon's appearance and tells her to meet Jeong-soo, her friend. Seo-yeon is also angry and tells Min-joo that she have to meet Jeong-soo as well. A bittersweet story about a man who is a very close friend is just about to start.

In 1592, admiral Yi Sun-sin and his fleet face off against the might of the invading Japanese navy and its formidable warships. As the Korean forces fall into crisis, the admiral resorts to using his secret weapon, the dragon head ships known as geobukseon, in order to change the tide of this epic battle at sea.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Maggie must find the courage to own up to her behavior when she wakes to find every adult has received a YELP-like star rating floating over their head. While most every adult has a shining 4 and 5 stars, Maggie's got just 2.5.

'Warriors' is a documentary that puts forth a reflection about the sexual identity, an approach to the gender development and its 'control strategies', based on a heterogeneous group of activists who stand for the transsexual and trans-gender community.

Just before Anne is moving from Amsterdam to live with her great love Sara in Montreal, her publisher criticizes the manuscript for her first novel. What exactly is the story she's trying to tell? Does she even have something to say at all? Anne is forced to search for what she wants in life, because it is not only the main character in her novel who seems to be a little lost.

In this music video, which operates as a meditation on contemporary Chinese history, Yau Ching combines found images and text to negotiate between idealism and propaganda and the hopes and disillusionment that they bring.

Seung-hye moves to a new house that she has been looking forward to so much with her junior, Na-yeong, but is swindled by a double contract and moves in with a strange man, Soo-cheol, and his senior Hyeon-joon. Armed with powerful male hatred, Seung-hye distanced herself from the men even by dividing the house in half, but her junior, Na-yeong, falls into the hands of Hyeon-joon, a wolf dressed in sheep's clothing. Seung-hye hates men's genitals because male hatred is deeply ingrained in her brain. To this Seung-hye, she suddenly witnessed Soo-cheol's genitals. She tries to forget it, but the penis stuck in her mind and she can't unsee. She concludes that Soo-cheol "fooled her into liking sex" and treats Soo-cheol as a rapist.

In 2040, a female humanoid A.I. is hacked by her husband and forced to kidnap the U.S. vice president's son and execute him on live TV, as the culprit seeks revenge for his own son's death.