Two men raise somebody else's baby in deep isolation until one of them decides to escape with "it".

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

The movie is named Fu. This Chinese character represents good luck and yearning for a better life in the future. We animate the Fu and some traditional patterns. We hope that no matter what cultural background the viewers come from, this film can arouse their yearning for a better future and the passion for life.

After years of killing for a man only known as "The Boss", Serena is burnt out. When she is hired for one final job, she teams up with an underground renegade group to stop her replacement from executing the assassination.

In 2005, to raise money for Comic Relief, Walliams and Lucas made a special edition of the show, dubbed Little, Little Britain. The episode included a variety of sketches with celebrities including George Michael, Robbie Williams and Sir Elton John

A one-night stand leaves a young, single New York man shocked to find he might be pregnant.

When a mysterious terrorist declares war on white nationalist cops, he starts a war that will tear the country apart.

Director Alex Quiroga, who is a great admirer of Sir Alfred Joseph Hitchcock film, has always wanted to carry out a project that could meet their features with a huge respect for his works. He has matured the idea for 2 years and was contacting different actors who, like him, were great connoisseurs of Sir Alfred Joseph Hitchcock film, which above all enthusiasm with the idea and devote every effort and affection for this project.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Typically you know what you are getting into when you go see a movie billed as "romantic comedy." And often they lack romance or comedy and sometimes both. Not to mention that the simplicity of the characters often make the movie very predictable. That said, romantic comedies often don't work overall and viewers are left with a few good moments here or there. All that is said to explain what you won't find in "Fool For Love." That is because the two main characters, in particular Dustin Nguyen's character "Dung" have a complexity to them that creates a real life foundation from which the romance and comedy can be built.

After arranging a meeting with a stranger from an online dating site, Valora falls victim to an abusive psychopath. But rather than trying to flee she decides to play his game and ultimately turn the tables on him, with the hunter becoming the hunted.

Chanaika (11) threw her violent father out of her family home. After this emotional event, she shows that she doesn't let down easily and now dances in front of a million people during the Summercarnaval in Rotterdam.

A porn director is getting close to the dawn of his career.

Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.