Film in Which There Appear... is a six-minute loop of the double-printed image of a "China girl" or "Shirley card", her image off-center, making visible the sprocket holes and edge lettering on the film. According to Land, within the loop, "no development in the dramatic or musical sense" occurs. Fred Camper described Film in Which There Appear... as "a kind of Duchampian found object, a [...] film that focuses attention on the medium and the viewer." There also exists a 20-minute "widescreen version" involving two prints of the film projected side-by-side, with the left print flipped horizontally so that the "China girl" forms an almost complete face in the center.

A shopkeeper suffers the loss of some valuable merchandise, and thinks of a way to regain his losses.

Vasco, a wealthy Italian real estate developer, lives between vice and luxury, when a killer of organized crime seriously injures him in an ambush. When he wakes up after three years of coma is no longer the same: no longer has any memory of his past, talk to the trees as if they were close friends, avoids the demands of work and luxuries preferring to wander on the beaches. To prevent the collapse of his business empire is sent in search of a cure through Italy, India and the United States, but a planetary cataclysm is lurking ...

Acid Horizon follows marine ecologist Dr. Erik Cordes on a harrowing deep-sea expedition to track down the "supercoral", a strain of the deep-water coral Lophelia pertusa that seems to possess the unique genetic capability to thrive in a low-pH ocean.

UFC 204: Bisping vs. Henderson 2 was a mixed martial arts event produced by the Ultimate Fighting Championship held on October 8, 2016 at the Manchester Arena in Manchester, England. The event was headlined by a UFC Middleweight Championship bout between current champion Michael Bisping and the former Pride Welterweight, Pride Middleweight and former Strikeforce Light Heavyweight Champion Dan Henderson. The pairing met previously in July 2009 at UFC 100 with Henderson taking the victory via second round highlight reel knockout.

Joseph II and his adjutant, Kléber travel to Transylvania in disguise.

Satō Makoto discovered documentary film when he visited Minamata (well known as the former site of an environmental disaster) as a student, and worked on Katori Naotaka’s The Innocent Sea. While touring Japan with the film, he met people who lived by the polluted Agano River in Niigata and decided to make a film about them. Living there with seven crew members for three years, Living on the River Agano was completed in 1992 and showed people who live with the river and work in agriculture and fishing, quietly probing the cruelty of nature destroyed. Ten years later, and after attending several funerals of people who appeared in the first feature, the team returned to the area. The resulting film Memories of Agano is a ghostly poem on people, fields, stories, songs and buildings receding into absence, the power of images and the strength of sound to revive the past.

A cross-dressing Adolf Hitler sings tasteless, but humorous musical numbers.

Forty years after leaving Japan for a boxing career in the U.S. that never panned out, Jin returns to restart his life with his old boxing buddies. When hotheaded young boxer Shogo asks for Jin’s help to get him back into the ring after an unfair loss, the two men decide to seize their final chance at glory. A boxing film so authentic that it inspired co-star Yokohama Ryusei to qualify as a pro boxer, Zeze Takahisa’s boxing drama is one of the veteran director’s most crowd-pleasing films thanks to the touching father-son bond at its core.

Fresh out of the academy, White Cop experiences his first taste of Aboriginal community life, as Black Cop puts him to the test.

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

A newspaperman is drawn away from family life by the needs of his paper until a new woman enters his life.

Vishal (Rishi Kapoor) comes from a wealthy Hindu family. His father is well known Chandraprakash Singh (Amrish Puri), and his mom is a housewife, Sharda (Asha Parekh). Vishal falls in love with a young Catholic girl, Ruby Miranda (Farha). While Ruby's dad (Alok Nath) approves of the marriage, Chandraprakash does not, and will not even hear of his son marrying someone not of equal status in wealth, leave alone a different religion. He is all the more enraged when he learns that Vishal is not really his son.

Intent on getting her rebellious daughter married, a merry widow and a former famous singer decides to take matters into her own hands; however, her girl, too, aspires to be a successful vocalist. Can love and career go together?